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Reviews
Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.
03 Feb
Reviews 
Review: A YEAR FROM NOW at The Vault Festival
By Nastazja Domaradzka Friday, February 3 2017, 12:52
02 Feb
Reviews 
Review: THE GLASS MENAGERIE at The Duke of York's Theatre
By Phil Willmott Thursday, February 2 2017, 14:22
Until April 29th London theatre goers have the chance to enjoy one of the undisputed masterpieces of American playwriting in a remount of a highly acclaimed Broadway production of THE GLASS MENAGERIE, staged by Olivier and Tony Award winning director John Tiffany, who's recently enjoyed meteoric success with his staging of HARRY POTTER AND THE CURSED CHILD.
23 Jan
Reviews 
Review: MUCH ADO ABOUT NOTHING OR LOVE’S LABOUR’S WON at Theatre Royal, Haymarket
By Thomas Michael Voss Monday, January 23 2017, 11:09
Much Ado About Nothing by William Shakespeare, is generally considered one of the bard’s best comedies, and because it deals in mistaken identities, love, humour, alongside more serious themes of honour, shame, and courtship, it delivers a delightful evening of plot twists and comic confusions; all the ingredients for for a great night at the theatre.
20 Jan
Reviews 
Review: THE KITE RUNNER, Wyndhams Theatre
By Andrew Bewley Friday, January 20 2017, 09:36
Based on the best-selling novel by Khaled Hasseini, this Nottingham Playhouse production of The Kite Runner comes 13 years after the original book and 9 years after the film-adaptation — both of which were huge successes in their own right. Hasseini’s extraordinary, darkly beautiful, shocking story is one that should be enjoyed with as little pre-tense as possible so it’s important to speak sparingly about the plot.
18 Jan
Reviews
Review: LOVE'S LABOUR'S LOST at the Haymarket Theatre
By Phil Willmott Wednesday, January 18 2017, 14:34
Many years ago early encounters with this Shakespeare play induced such brain aching boredom that I swore to never to put myself through the ordeal of seeing it again. Standing in to review it at the last moment for an indisposed Thomas Michael Voss I'm amazed and delighted to be able to report that director Christopher Luscombe and the Royal Shakespeare Company actors at the Haymarket Theatre have made it a lot of fun.
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