Duke of York's Theatre
104 St Martin's Lane, London, WC2N 4BG
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The Ocean At The End Of The Lane Tickets
- Opens: Tuesday, 26 October 2021
Booking until: Saturday, 12 February 2022 - Running time: 2 hours 20 minutes (including interval)
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About The Ocean At The End Of The Lane
Age restrictions
Recommended for 12+ yrs. This production contains scenes that some people may find distressing.
Important Information
Recommended for 12+ yrs. This production contains scenes that some people may find distressing.
Performance Times
- Opens: Tuesday, 26 October 2021
Booking until: Saturday, 12 February 2022 - Running time: 2 hours 20 minutes (including interval)
The Ocean At The End Of The Lane description
Following a sold out run at the National Theatre, the acclaimed production of The Ocean at the End of the Lane transfers to the West End October 2021.
Returning to his childhood home, a man finds himself standing beside the pond of the old Sussex farmhouse where he used to play. He’s transported to his 12th birthday when his friend Lettie claimed it wasn’t a pond, but an ocean…Plunged into a magical world, their survival depends on their ability to reckon with ancient forces that threaten to destroy everything around them.
Adapted from the best-selling Neil Gaiman novel by Joel Horwood and directed by Katy Rudd, this spectacular and thrilling adventure is a tour de force of imagination and storytelling.
Photos: Original National Theatre Cast by Brinkhoff-Moegenburg
Please note: Your tickets will be dispatched one week from performance.
Next Performances for The Ocean At The End Of The Lane at the Duke of York's Theatre
2019
The Three Best London Shows of 2019 That You Can Still See in 2020
by Phil Willmott | Friday, December 27 2019, 17:31
Fortunately three of last year’s top productions are currently still running in London so grab the last few tickets to celebrate the new year.
2019
Review: THE OCEAN AT THE END OF THE LANE at the National Theatre
by Phil Willmott | Tuesday, December 17 2019, 22:29
It’s rare that a production is so magical that I forget I'm sitting in a theatre, forget I'm there to analyse and assess it, and get completely swept up in the story.
That happened in the first half of this stage adaptation of the popular novel by Neil Gaiman, the current fantasy author of choice, as adapted by Joel Horwood.
Samuel Blenkin in The Ocean at the End of the Lane
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