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West End Theatre News and Reviews

Andrew Lloyd Webber
04 Apr
News
Phil Willmott

Andrew Lloyd Webber is as busy as ever

Andrew Lloyd Webber The UK’s Greatest living theatre composer shows no signs of slowing down after five decades at the top.

In a recent interview his regular lyricist, Don Black, has revealed plans are afoot to revamp ALW’s latest flop STEPHEN WARD with the addition of new songs and there are still hope that a newly conceived Australian production of the PHANTOM OF THE OPERA sequel, LOVE NEVER DIES, will come to the UK.

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Andrew Scott
04 Apr
Casts
Phil Willmott

Sherlock Star to play Hamlet next February

Andrew Scott Andrew Scott (Moriarty in TV’s SHERLOCK) is one of my favourite actors, quirky, charismatic and emotionally precise, so I’m very excited to hear he’s to play the title role in HAMLET by William Shakespeare at the Almeida Theatre next February in a production directed by the innovative Robert Icke.

Juliet Stevenson returns to the Almeida to play Hamlet's mother Gertrude with further casting and exact performance dates to be announced in the autumn.

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Dreamgirls
04 Apr
New Shows
Phil Willmott

Snap up your Dreamgirls tickets! This is going to sell out!

Dreamgirls It’s been a long wait!

Thirty-five years after its ground-breaking original Broadway production the West End will finally get its own production of Tony Award-winning musical DREAMGIRLS when it opens at the Savoy Theatre in November, 2016.

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Zedel
04 Apr
News
Phil Willmott

West End Cabaret for April and May

Zedel West End cabaret venue CRAZY COQS which allows you to see theatre stars in intimate solo performances has announced a Cabaret Festival for April and May.

Artists appearing include Theatre Land favourites Dillie Keane, Barb Jungr, Michelle Brourman, Jessica Martin, William Ludwig and Dean Austin

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Royal Shakespeare Company - DVDs
04 Apr
News
Phil Willmott

The RSC release Shakespeare DVDs to enjoy at home

Royal Shakespeare Company - DVDs One of theatre’s great innovations in recent years has been the filming of hit productions, enabling us to enjoy them on screen after they've finished their runs in live venues.

There was a time when producers may have worried it would affect sales if the public knew they had the cheaper option of watching a film of a hit show rather than paying four times the amount to see the production in the theatre.

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