Taking its title from the stage direction appearing in scripts to indicate sounds coming from off-stage, NOISES OFF is widely considered Michael Frayn’s masterpiece of farce which was conceived as long ago as 1970 as he watched Lynn Redgrave perform in a (not especially funny) play, which the author realised was far funnier when observed from backstage.
Felicity Kendal and Jonathan Coy in Noises Off. Credit Nobby Clark.