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Reviews

Romola Garai in The Years at the Almeida Theatre. Credit Ali Wright
03 Aug
Reviews
Stuart King

Review: THE YEARS at Almeida

For many, Annie Ernaux has only truly achieved prominence since becoming the first Frenchwoman to win the Nobel Prize for Literature in 2022, at the tender age of 82. Her writing style deploys an awareness of self which resonates truth and simplicity through an unflinching depiction of events experienced, and the times in which they occurred. In THE YEARS (which is an English adaptation by Stephanie Bain, based on Director Eline Arbo’s Dutch translation of Les années) a cast of five women take us on a journey of the author’s life from 1941-2006… and what an incredible journey it proves to be.

Romola Garai in The Years at the Almeida Theatre. Credit Ali WrightRomola Garai in The Years at the Almeida Theatre. Credit Ali Wright

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The Grapes of Wrath cast at the National Theatre. Photo Richard Hubert Smith
01 Aug
Reviews
Stuart King

Review: THE GRAPES OF WRATH at National Theatre Lyttelton

With climate change and refugees very much a focus for politicians and humanitarian efforts in recent years, this unrelentingly dismal tale of enforced displacement and movement of people from their ruined farm homes and livelihoods, has never been more prescient. John Steinbeck’s seminal dust bowl diaspora yarn (which seemed so dry and dull to this reviewer when a teenager at school), has assumed a new and profound resonance through Frank Galati’s adaptation.

The Grapes of Wrath cast at the National Theatre. Photo Richard Hubert SmithThe Grapes of Wrath cast at the National Theatre. © Richard Hubert Smith.

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Thomas Coombes in Death of England: Michael at @sohoplace. Credit Helen Murray
31 Jul
Reviews
Stuart King

Review: DEATH OF ENGLAND: MICHAEL and DELROY at SohoPlace

Perspective, context and environment are everything in this extraordinary trinity of plays presented under the banner DEATH OF ENGLAND, which attempts to encapsulate the state of the nation through the intertwined stories of black and white characters whose lack of genuine understanding of each other’s day-to-day lived experience, becomes startlingly obvious when events unexpectedly ensnare them. The trilogy written and directed by the creative partnership of Clint Dyer and Roy Williams is being presented at SohoPlace, (having previously aired at the National), with the first two instalments MICHAEL and DELROY playing in rep, and the third CLOSING TIME opening at the end of August.

Thomas Coombes in Death of England: Michael at @sohoplace. Credit Helen MurrayThomas Coombes in Death of England: Michael at @sohoplace. Credit Helen Murray.

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Fantastically Great Women Who Changed the World a The Other Palace
26 Jul
Reviews
Stuart King

Review: FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD at The Other Palace

Based on the picture book by Kate Pankhurst — who, as her name suggests, perhaps unsurprisingly hails from the dynasty which fought long and hard for female suffrage, FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD tells the tale of Jade, a capable, willing, but often overlooked young schoolgirl who is blessed with an inquisitive outlook.

Fantastically Great Women Who Changed the World a The Other PalaceFantastically Great Women Who Changed the World a The Other Palace

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THE BAKER'S WIFE at Menier Chocolate Factory
26 Jul
Reviews
Miriam Gibson

Review: THE BAKER'S WIFE at Menier Chocolate Factory

With the screen version of Stephen Schwartz's Wicked due out later this year, The Menier Chocolate Factory is staging his earlier, smaller-scale musical, The Baker's Wife. It's an uneven piece, bolstered by a strong cast and lively staging.

THE BAKER'S WIFE at Menier Chocolate FactoryTHE BAKER'S WIFE at Menier Chocolate Factory

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