
Phil Willmott


Review: SLAP at The Theatre Royal Stratford
By Phil Willmott Monday, October 5 2015, 11:58
The Theatre Royal, in Stratford, East London has a fine tradition of giving a voice to those under represented in theatre. In the 1960’s director Joan Littlewood put a whole generation of East End writers on stage and in recent years Philip Hedley and now Kerry Michaels have tirelessly reflected the culture and ethnic diversity of London in the range of writers they’ve presented in the lovely old Edwardian venue.


Review: Pure Imagination at St James Theatre
By Phil Willmott Wednesday, September 30 2015, 17:23
Shows like this, which feature the back catalogue of popular song writers either within a story or, as here, in a cabaret presentation, often surprise you with quite how many of their hits you know.
I think it's fair to say that the extraordinary range of songs co-written by lyricist and composer Leslie Bricusse over a glorious 60 year career won't be familiar to you unless you were around in the 1960's and 70's when it was hard to leave the house without a Bricusse hit slapping you in the face.


Review: Lady Macbeth of Mtsensk
By Phil Willmott Wednesday, September 30 2015, 15:28
"Bleak" and "devastating" are two words you wouldn't expect to use describing a great evening's theatre yet the opening production of the English National Opera's (ENO) new season is all three of those things.
LADY MACBETH OF MTSENSK was written by the Russian composer Dmitri Shostakovich during the Stalin era and indeed the great dicator himself allegedly penned a front page newspaper editorial denouncing it as a decadent muddle and lamenting the lack of conventional tunes.


Review: THE COMMITMENTS at The Palace Theatre
By Phil Willmott Monday, September 28 2015, 11:36
The West End is always full of shows closing, some departures are barely noticed, some deserve to close but Shaftesbury Avenue is going to be poorer when THE COMMITMENTS finishes its two year at the Palace Theatre on November 1st where it’s played more than 1,000 performances since it originally opened on October 8, 2013.


Is There a New Gary Barlow Musical Heading for the West End?
By Phil Willmott Friday, September 25 2015, 09:53
The lead singer of long established boy band TAKE THAT hasn’t had a lot of luck with musical theatre so far. A jukebox show which he wasn’t involved with but which featured many of his songs was a tepid affair and his score for the Broadway musical FINDING NEVERLAND didn’t find favour with the New York critics and audiences have dwindled.
This next project sounds like a sure fire winner though.
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