1974 London. Paul Hill gets arrested for The Guildford Pub bombing. Hill, Gerry Conlon, Patrick Armstrong and Carole Richardson soon become known as The Guildford Four and are convicted of murder and sentenced to life imprisonment. In Martin McNamara’s YOUR EVER LOVING, playing at THEATRE N16, directors Jamie Eastlake and Sarah Chapleo tell Paul Hill’s story, a story of a man who spent 15 years in prison for a crime he did not commit. And they do so in a harrowing and unapologetic way whilst asking questions about Britain’s past and present.
Reviews
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03 May
Reviews 
Review: YOUR EVER LOVING at Theatre N16
By Nastazja Domaradzka Tuesday, May 3 2016, 10:51
03 May
Reviews
Review: THE COMEDY ABOUT A BANK ROBBERY at The Criterion Theatre
By Nastazja Domaradzka Tuesday, May 3 2016, 10:09
Mischief Theatre, a group of acting graduates who took London’s West End by storm with THE PLAY THAT GOES WRONG and PETER PAN GOES WRONG are at it again! But whilst their two previous productions offered something new and exhilarating their newest THE COMEDY ABOUT A BANK ROBBERY seems at times too obvious and its slapstick style might suit only those who are after some light entertainment.
28 Apr
Reviews 
Review: MY MOTHER SAID I NEVER SHOULD at St. James’ Theatre
By Trevor French Thursday, April 28 2016, 09:17
The relationship between a mother and daughter can be a tricky one. Triple it; add a few secrets & lies, and the prospect of nothing quite going as smoothly as one would like increases. Charlotte Keatley’s play is the most performed play written by a woman ever, so it’s a surprise to find that it hasn’t been seen in London since opening at The Royal Court in 1989.
27 Apr
Reviews 
Review: FUNNY GIRL at the Savoy Theatre
By Preece Killick Wednesday, April 27 2016, 15:20
‘Triumphant’ was the metaphor most used when ‘Funny Girl’ opened at the Chocolate Menier Factory last year, and that triumph has now seen it blast its way onto the Savoy stage with a glitzy, high profile production that is sure to grab even more headlines on an extended run until October. Was the hype justified? Not just of star Sheridan Smith, but the production itself?
25 Apr
Reviews 
Review: SHOW BOAT at the New London Theatre
By Christian Durham Monday, April 25 2016, 10:56
In 1927 Jerome Kern and Oscar Hammerstein II took the courageous step of basing a musical on Edna Ferber’s novel exploring 40 years of a theatre company ‘s life on a Mississippi Riverboat. By doing so, they set off a chain reaction in the world of musical theatre that proved that this then trivial art form could comment on more serious aspects of the human condition. In Show Boat, alongside the usual but more developed vicissitudes of love, they threw the spotlight on racial prejudices in society.
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