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Phil Willmott

Phil Willmott

Murder for Two
11 Mar
Reviews
Phil Willmott

Review: MURDER FOR TWO at The Other Palace

Murder for Two The Other Palace, until recently the St James Theatre prior to a takeover by Andrew Lloyd Webber, has been re-conceived as a home for new and recent musicals.

Alongside the main auditorium there’s a smaller awkwardly configured but rather charming studio space where the audience are seated around a narrow platform stage of a similar size to most pub venues.

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Hamlet Almeida Theatre
03 Mar
Reviews
Phil Willmott

Review: HAMLET at the Almeida Theatre

Hamlet Almeida Theatre My favourite productions of Shakespeare have always been the ones in smaller theatres where you're sitting so close to the actors that they can cut the sound and fury necessary to fill a big venue and instead bring subtlety and nuance to the extraordinary text. With the right actors this can turn the densest Elizabethan verse into a gripping psychological thriller.

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The Winter's Tale - English National Opera
28 Feb
Reviews
Phil Willmott

Review: THE WINTER'S TALE. E.N.O at the Coliseum

The Winter's Tale - English National Opera Someone must really like Ryan Wigglesworth at English National Opera (E.N.O) He's been appointed composer in residence at this major international opera house despite the fact that he's only ever composed a song cycle before.

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Twelfth Night
25 Feb
Reviews
Phil Willmott

Review: TWELFTH NIGHT at the National Theatre

Twelfth Night It's a time for star led Shakespeare. Next week I'm looking forward to seeing Andrew Scott as Hamlet at the Almeida (despite the news that it's running at 4 hours 10 minutes!) but nipping in before him is TV and stage star Tamsin Grieg who's starring as Malvolia in TWELFTH NIGHT at the National Theatre.

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Who's Afraid of Virginia Woolf
25 Feb
News
Phil Willmott

The West Ends new Who's Afraid of Virginia Woolf is a revelation

Who's Afraid of Virginia Woolf Tonight it was my privilege to watch the great actors Imelda Staunton and Conleth Hill take their first stab at performing Edward Albee's masterpiece of marital disfunction , WHO'S AFRAID OF VIRGINIA WOOLF in front of a London audience.

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