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4/5 - based on 1 reviewfrom 1 verified review
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Roosevelvis in London
On a hallucinatory road trip from the Badlands to Graceland, the spirits of Elvis Presley and Theodore Roosevelt battle over the soul of Ann, a painfully shy meat-processing plant worker, and what kind of man or woman Ann should become. Set against the boundless blue skies of the Great Plains and endless American highway, RoosevElvis is a new work about gender, appetite, and the multitudes we contain.
The TEAM is a Brooklyn-based ensemble dedicated to creating new work about the experience of living in America today.
The TEAM’s RoosevElvis is written by Rachel Chavkin, Libby King, Jake Margolin, and Kristen Sieh. Created in collaboration with Matt Hubbs, Andrew Schneider, and Nick Vaughan. It is performed by Libby King and Kristen Sieh. Rachel Chavkin directs.
Roosevelvis is now playing at the Royal Court Theatre.
Roosevelvis Official Theatre Tickets
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Roosevelvis Ticket Information
- Booking until:
Saturday,14 November 2015
- Age restrictions
Age Guidance 14 Years+
- Important Information
Captioned Performance - 11 November evening
Audio Described Performance - 14 November matinee
- Cancellations & Refunds
Once booked, tickets to Roosevelvis are usually non exchangeable and non refundable as per our terms & conditions. In practice, however, we will do our best to accommodate your request as long as we are notified at least 48 hours before the performance. Please contact us for more information.
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Roosevelvis reviews
What to expect:
ActingMusic
Costumes
Story
Lighting
- Recommended for:
- Teenagers (100%)
- Couples (100%)
- Theatregoers (100%)
Latest customer reviews
Please note the reviews below are from an old production of Roosevelvis.
This two hander is focussed around a surreal roadtrip through America of a 35yr old woman who is stuggling with questions about life and her identity. The show is portrayed through a couple of brilliant performances - each actor playing multiple roles with humour and skill - intersperced with pre-filmed sequences in multiple locations. The staging is interesting and inventive, and although the narrative does seem to meander and lose its way slightly, that fits well with the style of the piece. Give it a try.
Reviewed on 01 November 2015 by Christopher, Bristol, United Kingdom