It is estimated that around 60,000 fertility treatments are performed in UK licensed clinics every year. Although now more than ever our society seems to be able to talk about the issues surrounding problems with conceiving, there is still so much we don’t talk about. AVALANCHE: A LOVE STORY, adapted from Julia Leigh’s memoir is the main theatrical event at the Fertility Fest 2019, and this one woman show is a detailed account of the real cost of being unable to conceive.
Theatre News and Reviews
07 May
Reviews 
Review: AVALANCHE: A LOVE STORY at The Barbican Centre
By Nastazja Domaradzka Tuesday, May 7 2019, 09:50
06 May
Reviews 
Review: THE REALITY at Cervantes Theatre
By Phil Willmott Monday, May 6 2019, 20:53
This was my first visit to Cervantes Theatre and I was really impressed. It’s a few doors along from the Union Theatre, where I direct a lot, and occupies a similar floor space seating around 80 people on three sides of the acting area. Whereas the Union makes a charming asset of being shabby chic, this venue feels proper chic with smart matching seats and a cute little bar upstairs.
06 May
New Shows
What is a "Two Mouthed Man"? We Asked Producer, Harry Neal, to Explain
By Phil Willmott Monday, May 6 2019, 07:06
Hello London Box Office readers!
My name is Harry Neal and I'm the Producer for the emerging comedy/music duo - 2 Mouthed Men.
Now what exactly is 2 Mouthed Men I hear you say? Despite being a very confusing name, the real question should be WHO are 2 Mouthed Men.
03 May
Reviews 
Review: THE GLASS PIANO at The Coronet Theatre
By Tim Winter Friday, May 3 2019, 18:32
Is it a fairy story? Is it a panto? Is it a children's show? Is it a comedy? Is it a philosophical exploration of language, freedom, rule of law, social hierarchies and the power of love? No, it's The Glass Piano receiving its World premiere at the wonderful Coronet Theatre in Notting Hill.
02 May
Reviews 
Review: THE HALF GOD OF RAINFALL at The Kiln Theatre
By Max Lewendel Thursday, May 2 2019, 14:29
This modern, Nigerian/American Fairy story is well worth telling but some powerful acting from Rakie Ayola (Modupe) and a brilliant sound design by Tanuja Amarasuriya is not enough to save poor dialogue, distracting lighting, and lack of creativity in staging. With such a small cast, Inua Ellams new play may be more suitable to a literary audience than a theatrical one.
Kwami Odoom as Demi in The Half God of Rainfall. Photo by Dan Tsantilis.
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