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An American In Paris Tickets
4.5/5 - based on 407 reviewsfrom 407 verified reviews
- Starring: Robert Fairchild, Leanne Cope
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An American In Paris in London
Starring:
Robert Fairchild, Leanne Cope
Are you ready for a sensuous modern romance, a show that has already wowed audiences in Paris and on Broadway? Don't miss your chance to experience a musical featuring a suite of unforgettable George and Ira Gershwin songs including I Got Rhythm, 'S Wonderful and They Can't Take That Away From Me, as well as the sublime An American in Paris itself.
An American in Paris – The Story
American Jerry Mulligan is young, strong and fit, ready for love. The Second World War has just ended and Jerry is in Paris, a city filled with new hope and possibilities after the ravages of six devastating years of conflict. An ex-GI, Jerry wants to stay in Paris and start a new life as an artist. When he runs across the young and very beautiful dancer, Lise, the backdrop of the Paris streets becomes totally magical, transformed by their love into a sensual wonderland of art, friendship and joy in the aftermath of war.
The show's world première raised the roof at Paris's gorgeous Théâtre du Châtelet, then transferred to Broadway in a blaze of critical glory. It's the most-awarded musical of the year, hailed as a triumph of the stage musical genre.
The New York Times calls the production “a perfect integration of dance, romance and classic Gershwin”. The Chicago Tribune calls it a “spectacular production”. The Independent newspaper says it's a “breathtakingly beautiful staging of the MGM musical”, just three of a collection of excellent reviews. Now it's making its way to London, the theatrical event of 2017 and a truly stunning re imagining of the Oscar winning MGM film.
The musical is playing at the newly-refurbished and restored Grade 2 listed Dominion theatre, the perfect venue for a wonderful romance, a feel-good classic in the making. The original, award-winning Broadway stars Robert Fairchild and Leanne Cope are coming over the Atlantic to do their spectacular thing in England's capital, joined by a large, talented cast of more than fifty actors, dancers and musicians. And it's directed and choreographed to perfection by the Olivier and Tony award-winner Christopher Wheeldon.
The respected Pulitzer Prize finalist Craig Lucas wrote the show, with amazing set and costume designs by the seven-time Tony winner Bob Crowley, with big theatrical hits like The Audience and Mary Poppins under his belt. Creative projections come from 59 Productions, who played a part in the 2012 Olympic Games Opening Ceremony, and the Tony-winning orchestrations are by Christopher Austin, Don Sebesky and Bill Elliott. Sound comes courtesy of Jon Weston and the lighting is by Natasha Katz, another multiple Tony award-winner. Whatever angle you look at it from, this is star-studded stuff!
An American in Paris tickets – “Breathtakingly beautiful”
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An American In Paris Official Theatre Tickets
Our central reservation system connects you directly to the Dominion Theatre box office system. We provide live & full availability for An American In Paris tickets, from VIP and premium, to top price and discount tickets, helping you choose the perfect tickets for your budget. Pick your seats from our interactive seating plan and get your theatre tickets emailed to you instantly after your booking. Simply present your e-tickets at the door on the day and experience what London & the West End have best to offer: the magic of theatre. Buying tickets for An American In Paris has never been easier.
An American In Paris Ticket Information
- Booking until:
Saturday, 6 January 2018
- Age restrictions
Children under 5 will not be admitted.
- Important Information
Please note that Stalls Row C & D offer a great, clear view but due to the proximity of the stage they may miss some of the footwork.
- Cancellations & Refunds
Once booked, tickets to An American In Paris are usually non exchangeable and non refundable as per our terms & conditions. In practice, however, we will do our best to accommodate your request as long as we are notified at least 48 hours before the performance. Please contact us for more information.
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An American In Paris reviews
What to expect:
ActingMusic
Costumes
Story
Lighting
- Recommended for:
- Couples (81%)
- Theatregoers (91%)
Latest customer reviews
Please note the reviews below are from an old production of An American In Paris.
A bit slow to start but beautiful choreography throughout. The leading lady became unwell but the understudy was remarkable. The leading man also shone for me.
Reviewed on 20 January 2018 by Ann, Ipswich, United Kingdom
Reviewed on 18 January 2018 by Giorgio, Hong Kong, Hong Kong
Reviewed on 07 January 2018 by Sarah, Stebbing, United Kingdom
Reviewed on 07 January 2018 by Elaine, Doncaster, United Kingdom
Reviewed on 06 January 2018 by Elisa, London, United Kingdom
Reviewed on 04 January 2018 by Robin, London, United Kingdom
Reviewed on 03 January 2018 by Henry, Windlesham, United Kingdom
Bravo to the understudy for the leading role - stepping in midway through a performance is quite a challenge and she was excellent
Reviewed on 03 January 2018 by Paul, Upper Harlestone, United Kingdom
The singing, dancing and music were all first class. Absolutely brilliant.
Reviewed on 02 January 2018 by Mary, Eynsford, United Kingdom
Having not watched the film and only seen musicals where I knew the music, this was a refreshing changed. Thoroughly enjoyed the whole experience.
Reviewed on 02 January 2018 by Michael, Folkestone, United Kingdom
Lovely birthday present. Brilliant dancers and actors. Good allround show.
Reviewed on 31 December 2017 by Peter, Basildon, United Kingdom
Reviewed on 31 December 2017 by Anna, Cambridge, United Kingdom
The shows was spoilt by being very hot in the theatre which meant I slept through most of it.
Reviewed on 31 December 2017 by Anita, Bushey, United Kingdom
Reviewed on 31 December 2017 by Desmond, Watford, United Kingdom
A must see, great acting, music and dancing... Loved it. Thumps up!
Reviewed on 30 December 2017 by Raj, Leicester, United Kingdom
If you go to see the show do not read anything about it the performance at 19.30 is too late for kids and exhaustive. do not sped money for bad seats the seats are very important for theatrelovers K
Reviewed on 30 December 2017 by Aikaterini, London, United Kingdom
A superb show with excellent dancing and singing. The lead male dancer was exceptional. A great night out.
Reviewed on 29 December 2017 by Mark, Hinckley, United Kingdom
The first half of the show was flat. Dialogue lacked bite and delivery, slow on cues. Principals looked lost on such a big stage. Dancing and singing good,but, the story line really lacked any punch, too predictable. Must have been a team chat during the interval, because the Show woke up and the dialogue became sharper and crisper. The dancing was again excellent and the special dance outstanding. May one beg the male promoter, (sorry lost our programme) be given a decent suit to wear!
Reviewed on 29 December 2017 by Sydney, Upminster, United Kingdom
Two of the best songs in the show were too short and not made enough of
Reviewed on 28 December 2017 by Marie, Kent, United Kingdom
The songs, dance and presentation was all good, sitting in row Z the dialogue was sometimes lost, i.e not loud enough.
Reviewed on 28 December 2017 by Philip, Tadworth, United Kingdom
We sat in the rafters but had an awesome experience! Incredible staging and lightning design!
Reviewed on 27 December 2017 by Lucas, Johannesburg, South Africa
Reviewed on 25 December 2017 by John, Forres, United Kingdom
Reviewed on 24 December 2017 by Graham, Petersfield, United Kingdom
venue - easy to get too + a beautiful building show - stunning Scenery, Costumes, Dancing, Singing and most of all, the music One of the best musicals - ever!!!!! but then I am a real fan of Gershwin
Reviewed on 22 December 2017 by Michael, Hampstead, United Kingdom
The story was very enjoyable, straightforward and not extraordinarily profound but well executed with the right dose of humor. Personally I would like more singing interspersed with dialogues, rather than long passages of dialogues, but that's just my personal preference. The male leads were all great, and I especially liked the performance of Adam's role (even though at times I had trouble telling them apart - partly due to the distance from the stage). The voice of the female lead felt a bit weak to me and was often overpowered during chorus. The actress playing Milo, on the other hand, was outstanding.
Reviewed on 22 December 2017 by E-ping, Toulouse, France
Very tedious slow moving show. Would not reccommend to anyone.
Reviewed on 21 December 2017 by Belinda, London, United Kingdom
Did not enjoy this show, found it slow and boring and nothing like the film. Some of the music was not in the film version, Scenery constantly being changed was confusing. Lead dancer was good. Afraid we would not recommend it to anyone.
Reviewed on 21 December 2017 by Hazel, Newmarket, United Kingdom
This is the second time I have seen this show - the dancing is brilliant - I am a ballet lover. May not suit all musical lovers.
Reviewed on 21 December 2017 by Sally, Potters Bar, United Kingdom
I am not a keen ballet fan but this was stunning, entertaining, great music and superbly performed by all
Reviewed on 21 December 2017 by Peter, Maidenhead, United Kingdom
I enjoy musicals, and this was one of the best
Reviewed on 20 December 2017 by Joy, Newcastle-under-lyme, United Kingdom
Reviewed on 19 December 2017 by Andis, Riga, Latvia
We hadn’t realised just how ‘dancey’ this version would be...not that it was a problem in any way as the dance was beautifully choreographed and in some instances exquisitely performed, particularly by the female lead, who was stunning
Reviewed on 19 December 2017 by Anne, Hampton, United Kingdom
Reviewed on 17 December 2017 by Elissavet, London, United Kingdom
Reviewed on 17 December 2017 by Nicole, Devizes, United Kingdom
Reviewed on 17 December 2017 by Manasi, Purley, United Kingdom
Every aspect of this musical was at the top of its game- the singing, the dancing, the acting, the staging and set design, the music! I loved it all and I was completely captivated and drawn into the story. I can not rate this show highly enough and dearly hope it returns so I can see it again. Easily one of my favourite musicals.
Reviewed on 16 December 2017 by Catherine, Marston Moretaine, United Kingdom
Well, maybe not astonished exactly, but it was very good. Evocative sets, engaging performances, great lighting, and some wonderful set pieces (my favourite was the "I'll build a stairway to paradise" vignette), and a joyous and moving musical score. My only reservation was I preferred the original storyline/plot in the film. Focusing more on the Nazi occupation and its privations, as this version does, is not really the stuff of light entertainment. Also, although the actor that played Gerry Mulligan was good, his dancing did not reach the Gene Kelly stratosphere. But that's not really a criticism - there is, and only ever will be, one Gene Kelly and it's unfair to compare him with anyone else. Gene was sui generis. However,the actress that payed Lise was a total delight - wonderful dancer and utterly enchanting.
Reviewed on 14 December 2017 by Andrew, Bournemouth, United Kingdom
A sweet storyline, a few familiar songs and a dance routine to blow you away. An American in Paris was a delightful escape from the the 20th century. Give it a miss if a dance heavy, singing scanty performance isn't exactly your thing.
Reviewed on 14 December 2017 by Brenna, Bedfordview, South Africa
This show was a birthday surprise from my darling husband . .and surprised I was! Not only by the brilliance of all the cast, be they singing, dancing or acting,, but the whole concept which created such a wonderful feel=good factor. My husband normally just bears with me when I drag him along to such shows, but this time he wholeheartedly loved it as much as me! . .so that speak volumes for the cast! An American in Paris - unforgettable. DON'T MISS It!!
Reviewed on 13 December 2017 by Bryan, Gravesend, United Kingdom
This show had something for everyone. Great music, spectacular backdrops, props and lighting, and superb acting. I'd struggle to iamagine anyone not getting some enjoyment from an American in Paris - I'm not given to excesses, but I think I danced through the streets of London ( to my partners concern) after the show ended.
Reviewed on 12 December 2017 by Stephen, Sheffield, United Kingdom
Reviewed on 11 December 2017 by Melanie, Streatley, United Kingdom
Reviewed on 10 December 2017 by Karin Busk, Virum, Denmark
A wonderful, energetic show. Amazing cast. So pleased to have been there.
Reviewed on 10 December 2017 by Elizabeth, Ossett, United Kingdom
Reviewed on 10 December 2017 by Grazyna, London, United Kingdom
Easy access to theatre with numerous quality hotels nearby . The lead dancers were spectacular as was the music -an entirely professional production , very recommended . Our seats were in the stalls row Q which gave a good view of the stage , near enough to see facial expressions of dancers .
Reviewed on 10 December 2017 by Josephine, Hatfield, United Kingdom
I think the show had amazing staging and amazing dance routines in it. The singing was amazing but I wasn't captured by the story at all. Because of that, I felt like the show is dragging forever. And honestly couldn't wait for it to end.
Reviewed on 09 December 2017 by Dobrin, London, United Kingdom
Absolutely loved this! It was just so beautiful from start to finish.
Reviewed on 09 December 2017 by Aoife, London, United Kingdom
Great revival of a classic musical which retains all the original charm and warmth but with an up to date feel.
Reviewed on 07 December 2017 by Denise, Amersham, United Kingdom
Reviewed on 06 December 2017 by Valerie, London, United Kingdom
Excellent. Breath-taking peformances from everyone, and the ballet sequence was absolutely brilliant.
Reviewed on 05 December 2017 by Sarah, Shrewsbury, United Kingdom
Reviewed on 04 December 2017 by Sandrine, Paris, France
Reviewed on 04 December 2017 by Sarah, Wells, United Kingdom
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Reviewed on 04 December 2017 by Maria, Londonn, United Kingdom
A beautifully choreographed stylish performance.I loved the homage to the era,through the costumes (Dior's New Look) and the set design's reference to the contemporary artists of the period! The dancing was superb Breathtaking!
Reviewed on 03 December 2017 by Lorraine, Lincoln, United Kingdom
It is best to be fond of Gershwin's music. If you are not or do not know it the dancing and dynamism of the show will still impress you.
Reviewed on 03 December 2017 by Ricardo, London, United Kingdom
Reviewed on 03 December 2017 by Ruxandra, Reading, United Kingdom
This version was too far off the original and the performa.nce too long and slow. The original music did not get its proper place and there was too much modern ballet
Reviewed on 02 December 2017 by Gunnar, London, United Kingdom
Reviewed on 27 November 2017 by Simona, London, United Kingdom
Reviewed on 27 November 2017 by Amanda, Whyteleafe, United Kingdom
Worth a watch but don't pay too much for tickets
Reviewed on 26 November 2017 by Neville, Dunstable, United Kingdom
Not for me
Reviewed on 26 November 2017 by Faye, Sheffield, United Kingdom
Reviewed on 26 November 2017 by Ian, Manchester, United Kingdom
Amazing dancing and singing; probably more time on the dancing, so if you find that boring this would not be for you. The music was secondary, and particular to the era of the Gershwin composers of the 1930s and 1940s. Some younger viewers might find the music dated, although I think it stands the test of time. Ultimately a package of dancing and song, with a slightly predictable love story.
Reviewed on 24 November 2017 by Meryl, London, United Kingdom
Reviewed on 20 November 2017 by Nicola, Huddersfield, United Kingdom
The show is a beautiful combination of a high standard of dance, enchanting music and interesting sets, which carry you along on thoroughly enjoyable journey. The theatre layout allows you to have a good view of the stage wherever you sit. If you have an appreciation of different genres of dance, I think you will get a lot of enjoyment from the show.
Reviewed on 20 November 2017 by Tina, Guildford, United Kingdom
Reviewed on 19 November 2017 by Tracie, Southend On Sea, United Kingdom
First half of show slow regarding story line second half more up to expectations.
Reviewed on 18 November 2017 by Linda, Waterlooville, United Kingdom
It is the greatest show i had ever seen!
Reviewed on 16 November 2017 by Zar, London, United Kingdom
Reviewed on 16 November 2017 by Rebecca, Kettering, United Kingdom
Reviewed on 16 November 2017 by Sylvia, Crawley, United Kingdom
Reviewed on 15 November 2017 by Annette, Uttoxeter, United Kingdom
This modern version is a must-see. The technology behind the scenes is amazing, and the dancing quite spectacular. Thoroughly recommended.
Reviewed on 14 November 2017 by John, Cheltenham, United Kingdom
Reviewed on 12 November 2017 by Andrew, London, United Kingdom
Reviewed on 12 November 2017 by Richard, Surrey, Canada
Reviewed on 12 November 2017 by Ian, Verwood, United Kingdom
Reviewed on 12 November 2017 by Constantine, Laval, Canada
Great music and colourful. The dancing was excellent.
Reviewed on 11 November 2017 by Colin, Hayle, United Kingdom
Very much a dance show not a lot of story or sung numbers. Found the first act a bit confusing. Could not fault the dancing all very good. Not over keen on the scenery the esp the large mirrors on wheels.
Reviewed on 05 November 2017 by Roger, Kettering, United Kingdom
Reviewed on 05 November 2017 by Blessings, Basildon, United Kingdom
This is one for dance lovers Soloists and chorus were superb, great choreography. Great sets and costumes and fabulous Gershwin music
Reviewed on 05 November 2017 by Jenifer, Dover, United Kingdom
We both went with no real expectation of what to expect. We loved it all the wonderful male dancers you could not take you eyes off the lead role both male and female, neither of us wanted it to finish.
Reviewed on 03 November 2017 by Christine, Melksham, United Kingdom
Overall acting was very good and the lightening and music was lively; however I felt the show lacked spirk and I list engagement with the storyline on the first half - picked up on the 2nd of the show with excellent dancing and music.
Reviewed on 03 November 2017 by Andrea, Southgate, United Kingdom
Reviewed on 02 November 2017 by Grazyna, Daventry, United Kingdom
Reviewed on 02 November 2017 by William, Harlow, United Kingdom
The sets were really good and smoothly done. The dancing was amazing and the music was good. The only down fall for me was the story line which lost my interest in places. Great theatre and good seats(not cramped).
Reviewed on 02 November 2017 by Rowena, Cranleigh, United Kingdom
Reviewed on 01 November 2017 by Kathleen, Newcastle Upon Tyne, United Kingdom
There is nothing about this show I can criticise. It was clever, beautifully choreographed and the dancing was superb. Leanne Cope is an exceptionally talented dancer - mesmerising.
Reviewed on 29 October 2017 by Stephen, Tonbridge, United Kingdom
Well put together with amazing costumes and scenery. Well acted and great singing but story a little dated and weak
Reviewed on 29 October 2017 by Anne, Ascot, United Kingdom
A happy feel good show
Reviewed on 26 October 2017 by Marlene, Wimbledon, United Kingdom
Reviewed on 26 October 2017 by Roi, London, United Kingdom
An amazing show, brilliant singing and dancing, fabulous sets, great music. Thoroughly enjoyed it!
Reviewed on 25 October 2017 by Louise, Collingham, United Kingdom
Reviewed on 24 October 2017 by Chara, Nea Filadelfia, Greece
Reviewed on 23 October 2017 by Iulia, London, United Kingdom
Slightly disappointing: music rather insensitively played and clipped rather than revealing the richness, the lushness of Gershwin’s music. It never really took off for me, rather than being transported into a magical place for a few hours it was rather stilted.
Reviewed on 22 October 2017 by Alison, London, United Kingdom
Simply stunning! A kaleidoscope of colours, light and shade and inventive backdrops set the scenes for a non-stop experience of dancing and singing of the highest order. Just don’t miss it before it goes.
Reviewed on 22 October 2017 by Kate, Barnet, United Kingdom
Reviewed on 21 October 2017 by Michelle, Waipawa, New Zealand
A nice, relaxing show with an excellent orchestra and conductor. Good voices. Storyline average though. The blasphemy was unnecessary and upsetting. Otherwise worth watching.
Reviewed on 20 October 2017 by Petronella, Pretoria, South Africa
Reviewed on 19 October 2017 by Henry, Rouse Hill, Australia
Reviewed on 16 October 2017 by Javier, Barcelona, Spain
Brilliantly performed, and staged. As a retired dance teacher/choreographer, I thought the choreography lacked the variety & versatility of the film musical; so many of the movements were the same in a lot of the routines - which flattened it a bit/became rather monotonous - but they were performed brilliantly. I also felt "less" would have been "more" with all the devises/props that were used, but on the whole, it was an enjoyable show - but without the "wow" factor for me, apart from "Stairway to Paradise" and beautiful lines of the female lead; and perhaps "Fidgety Feet number.
Reviewed on 16 October 2017 by Pauline, Blackpool, United Kingdom
2017
Saigon stumbles on Broadway whilst Paris soars in the West End
by Phil Willmott | Monday, March 27 2017, 09:59
Often visitors from New York will ask me what theatre I'd recommend they see whilst in the U.K. And, honestly, that's quite a difficult question to answer. So many hit shows have either already been seen in New York or are about transfer there.
This cross-fertilisation began in the late 1980s, a strange decade in the history of New York musicals when they weren't producing anything of note whilst the British were dominating the world with Andrew Lloyd Webber musicals like Cats and Phantom of the Opera and mega hits also produced by Cameron Macintosh including Les Miserables and Miss Saigon, both of which earned their reputations in the West End before taking American Theatre by storm.
Saigon stumbles on Broadway whilst Paris soars in the West End2017
Review: An American in Paris
by Daniel Perks | Thursday, March 16 2017, 10:16
One of Wheeldon’s finest moments that captures the romantic essence of its Parisian roots and brings it into the present day. Experience a cast and creative team working its peak in a fitting homage to an iconic style.
Think of American Jazz and the roaring twenties and you automatically think of the Gershwin brothers. George and Ira are synonymous with the style – Rhapsody in Blue; virtuoso piano jazz standards; lilting, dreamy trumpet melodies; plush orchestration. All the aspects of a timeless classic composition can be found in An American In Paris – fitting, since it is itself one of the true great films of its era, a bastion of historical Hollywood in all its intoxicating glamour.
Review: An American in Paris2017
Rehearsals begin for AN AMERICAN IN PARIS
by Phil Willmott | Tuesday, January 17 2017, 14:58
One of the most life enhancing shows I've ever seen on Broadway is the Gershwin musical AN AMERICAN IN PARIS and I'm delighted to report that rehearsals have begun for The West End production.
The plot is described in today's official press release as the story of "Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war"
Rehearsals begin for AN AMERICAN IN PARIS2016
An American in Paris is coming to London
by Phil Willmott | Friday, April 22 2016, 16:09
The rumours were true!
Broadway’s Tony Award-winning new musical AN AMERICAN IN PARIS is coming to the West End, opening at the Dominion Theatre in March 2017
An American in Paris is coming to London2016
Review: AN AMERICAN IN PARIS at the Palace Theatre, New York City
by Davor Golub | Friday, March 25 2016, 10:27
Word on the street is that the show will be coming to London sometime in 2017.
Over the past 15 years there has been a plethora of adaptations of Hollywood movies into stage musicals. The success of these ventures from film to the stage depends on whether or not the theatrical team behind the transfer is able to create a piece that is not just a lazy copy but rather one that has a unique theatrical language and reason for being on the stage.
Review: AN AMERICAN IN PARIS at the Palace Theatre, New York City